02 juni 14th Infrared & Raman Users Group Conference
Activiteitendata
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- Online
The conference will include oral and poster presentations addressing all aspects of the application of Infrared and Raman spectroscopy for the study, documentation and protection of the world’s cultural heritage.
Further informatin can be found on the IRUG website.
Registration
Registration: Free of charge, although donations to IRUG are encouraged.
Provisional programme
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Day 1 Wednesday, June 2, 2021 |
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14:00 |
Welcome Keynote speaker |
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(5 min break) |
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15:00 |
A technical study of Chagall’s painting materials: the synergistic use of Raman and FTIR spectroscopy Comprehensive IR data analysis methods for the study of paint degradation processes |
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16:00 |
15 min break |
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16:15 |
Characterisation of lime-based paints by micro-Raman and external reflection FTIR spectroscopies Non-invasive spectro-analytical characterization of silicate-based wall paintings To be filled |
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17:30 |
The hidden secrets beyond a box. ARCAer PROJECT - Conservation and analytical study of antique ensembles of reliquaries Raman, FTIR and SEM mapping of Paul Gauguin’s Poèmes Barbares |
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18:30 |
End day one |
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Day 2 Thursday, June 3 , 2021 |
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14:00 |
The use of polyethylene in conservation and object storage: A spectroscopic investigation into the chemistry of polymer additives In situ identification of plastics: Evaluation, comparison and application of external and diffuse reflectance FTIR accessories (5 min break) Preservation of collections: FTIR for testing suitability of self-sealing polyethylene bags for long-term storage and for damage assessment of objects, in particular archeological bone Project plastics: The role of FTIR in the development of the Plastic Identification Tool |
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16:00 |
15 min break |
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Poster session The identification of organic dyes in painting by μFTIR and μRaman- spectroscopies A discovery of methylene blue in a pictorial art: Case study of Portrait of Nicholas Roerich by Svyatoslav Roerich Tracing the line: Investigating Hans Bellmer’s white drawings using Raman and transmission FTIR spectroscopies. Pigment identification in frescoes of the church Santa Maria Maggiore in Sovana |
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16:35 |
Pigments from the legacy of Arnold Böcklin and Edvard Munch studied by synchrotron far-infrared spectroscopy Exploring the colourful avantgarde with micro-Raman spectroscopy (5 min break) |
| 17:30 | Geranium lake pigment: structure and changes during ageing Victoria Beltran, Andrea Marchetti, Karolien De Wael Mansfieldite (AlAsO4 · 2H2O): A new white pigment in Himalayan artwork Gregory Smith, Claire Hoevel, Patrick Cavanagh, Gregory Druschel (5 min break) |
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18:30 |
End day two |
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Day 3 Friday, June 4, 2021 |
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14:00 |
IRUG spectral database: Spectral search feature & tutorial To be filled To be filled |
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15:00 |
Tibetan book covers: An investigation of the materials and techniques Characterization of materials in manuscripts by ER‑FTIR – strengths and weaknesses of the non‑invasive technique |
| 16:00 |
5 min break |
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16:15 |
Advanced vibrational spectroscopy methods for heritage science Vibrational spectroscopies for the conservation of silver (5 min break) |
| 17:15 |
From spruce resin to Castoreum: Identification of organic residues on ancient projectile weapons Near infrared-shortwave infrared fiber optic reflectance spectroscopy as an early warning sensor for glass deterioration |
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18:15 |
Closing |
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18:30 |
End of day three |